History and Myths We Work Through

History and Myths We Work Through

Acrylic on canvas
36 × 48 in. (91.5 × 122 cm)

This work presents a visual meditation on world history as a shared terrain where myth, belief, lived experience, and material reality coexist without hierarchy. The surface is densely inhabited by human figures, animals, dwellings, symbols, and pathways, arranged in a continuous narrative that moves fluidly across time. History is treated not as a linear record, but as accumulation, stories layered upon stories, carried forward through memory, movement, and repetition.

The painting adopts a Warli-inspired narrative language, drawing from the indigenous Warli tradition of pictographic storytelling and communal representation. Simplified human forms, flattened spatial relationships, and collective scenes foreground shared existence over individual identity. This is not imitation but recontextualization: the visual vocabulary is expanded through heightened colour, expressive scale, and the artist’s own symbolic lexicon.

Serpentine lines and rhythmic pathways function as connective structures, binding scenes of evolution, migration, ritual, labour, industrialization, conflict, and survival into a single unfolding continuum. Colour operates both structurally and emotionally, guiding the eye through histories that are at once mythical, historical, and imagined. By rejecting minimalist restraint, the work embraces density as a form of truth, asserting that human history is complex, interwoven, and perpetually unresolved, a living landscape shaped equally by myth and material life, continually rewritten by those who move through it.